Short Courses & Events / Archive

Be confident singing lullabies to your baby!

Thursday 11th July 2024, 5:00 PM - 7:00 PM (London Time)

Whether out of self-consciousness or simply not knowing WHAT to sing, many caretakers are not comfortable singing to the babies in their care. Research has shown this is a crucial aspect of a child’s development, as well as an important step in building a connection between parent and child. But people worry about the quality of their voice, embarrassed and unsure if their child is secretly judging them. Of course they’re not! The connection built by singing to your child goes beyond skill, but having some confidence would help.

This presentation talks about ways to help people feel comfortable using their voices to connect with the children in their world. Carissa Scroggins will share what she learned from an online lullaby workshop she hosted in May, tools on teaching group voice lessons, specific repertoire to use (there are many songs out there to choose from, not just Brahms’ well-loved tune or a delightful ditty from Bluey), and ways to boost inexperienced voices forward on their singing journeys.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Carissa Scroggins

Carissa Scroggins is a professor of singing at Southern Illinois University, a public institution in Illinois, USA. She is a lyric coloratura soprano, with roles like Die Königin der Nacht (Die Zauberflöte), Ännchen (Der Freischütz), and Constance Fletcher (The Mother of Us All) under her belt.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)

Learn to Coach RP and SSBE – a Certificate in Accent Coaching

Louisa Morgan

This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.

Acting Emotion: Perspectives from the Masters
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)

Acting Emotion: Perspectives from the Masters

Louisa Morgan

Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.

The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers
Tuesday 17th March 2026
5:00 PM - 7:00 PM
(London Time)

The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers

Dr. Alyssa Becker

Shaped by the popular music of its time, musical theatre blends storytelling with an ever-evolving range of vocal styles—from classical legit singing to jazz, hip-hop, and powerhouse belting. Despite its importance, much of what we understand about vibrato comes from laboratory-based studies that strip singing of its musical, stylistic, and performance context. Join Dr Alyssa Becker as she connects current research with real-world pedagogy, revealing how elite musical theatre performers strategically use vibrato to shape style and storytelling, and showing how these insights can be applied in the voice studio to train stylistic flexibility and control!