Meisner in Music: Merging Beautiful Singing with Emotional Acting
Thursday 29th February 2024, 5:00 PM - 7:00 PM (London Time)
As vocalists, we’re often taught one set of tools in voice lessons and another in acting classes but left on our own to put the two together. It can feel like we have to choose between beautiful singing and emotional acting, sacrificing the integrity of one to focus on the other.
Sanford Meisner, internationally-acclaimed acting teacher (and concert pianist!), spent over 60 years developing a technique that was simplifying, grounding, step-by-step, and allowed artists to stay present, trust themselves, and find freedom in performance. Meisner-trained actors include Academy Award winners Anthony Hopkins, Kathy Bates, Viola Davis and Sam Rockwell.
Even as the highly-effective technique proved to produce some of theatre and film’s finest performances, after Meisner’s death in 1997, the question still remained: 'How do we take this freeing technique that emphasises spoken text and working off a partner and apply it to music and often performing with no partner?'
20 years later, Meisner in Music began to seek to bridge this gap.
While Founder Jillian Paige originally created Meisner in Music to be an acting class technique specifically for singers, over its years of existence we found that it can help musicians with so much more, including performance anxiety, trust in technique, artistic agency, and presence and embodiment both on stage and in life.
In our workshop with the Voice Study Centre, participants will learn the foundational tool of the Meisner technique, 'repetition', and gain insight into additional aspects of the technique that are particularly useful for singers such as emotional preparation and 'the physical impediment'. Attendees can expect to leave with tools to apply to their own artistry and their students to help them get out of their heads, trust in their voices, and, most importantly, trust in themselves.
Jillian Paige
Jillian Paige is the Founder of Meisner in Music, the premier class to infuse the Meisner Technique with singing. Jillian received her Master’s in Music Theatre from Oklahoma City University, her Bachelor’s in Classical Vocal Performance from Belmont University, and studied Meisner under Terry Martin (a direct pupil of Meisner’s), and Ted Wold.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 12th January 2026
12:00 PM - 1:30 PM
Tuesday 13th January 2026
12:00 PM - 1:30 PM
Wednesday 14th January 2026
12:00 PM - 1:30 PM
Thursday 15th January 2026
12:00 PM - 1:30 PM
Tuesday 20th January 2026
12:00 PM - 1:30 PM
Wednesday 21st January 2026
12:00 PM - 1:30 PM
(London Time)
Level One Certificate in Accents and Phonetics
Louisa Morgan
Are you a voice, acting, or singing coach looking to expand your expertise and add accents and phonetics to your teaching repertoire? This 6-session course covers essential topics such as articulatory, acoustic, and auditory phonetics, the International Phonetic Alphabet (IPA), and ethical approaches to accent and dialect coaching. By the end of this course, you'll be equipped with the knowledge and practical skills to start to bring phonetics and accent coaching into your coaching and provide more comprehensive support to your clients.
Monday 12th January 2026
2:00 PM - 4:00 PM
(London Time)
Emerging and Developing Voice: Singing and Speech
Karen Brunssen
How does the singing voice influence the speaking voice? How does the speaking voice influence the singing voice? When is there a disparate relationship between the two? Can they help each other? Can one harm the other? How can we use them positively in the voice studio. During this short course we will consider the voice as we sing and as we speak. The acquisition of language is a very interesting journey from birth through old age. We will broach the topics of “lexical” which refers to learning words, and “semantic” which is how we use words in the context of language.
Monday 12th January 2026
5:00 PM - 7:00 PM
(London Time)
Perfectionism: A Theoretical & Clinical Overview
Dr David Juncos
What exactly is meant when we label ourselves or someone we know a perfectionist? It is a good to be this way? Or are you setting yourself up for failure? Can a performance psychologist or a other performance-related practitioner help you if you’re a perfectionist? In this short course, you will learn how perfectionism is defined according to popular models in clinical psychology, and whether it is maladaptive or adaptive. You will also learn how perfectionism impacts on music performance anxiety, in addition to other areas of importance for performing musicians, like work-related stress and burnout, and procrastination with one’s practice.