The Cannabis Question: What Voice Practitioners Need to Know!
Thursday 18th September 2025, 5:00 PM - 7:00 PM (London Time)
As cannabis use has become more common, socially accepted, and legalized, voice professionals are increasingly fielding questions about its effects. This two-hour session offers a clear, research-informed overview of what we currently know about cannabis and the singing voice. The session is built around real-world questions voice teachers and singers are asking: Does smoking cannabis dry out the vocal folds? Is vaping safer than smoking? What should I know if my student uses cannabis for anxiety or pain? Could some voice types be more at risk than others?
Drawing on current peer-reviewed research and framed through a lens of voice pedagogy and harm reduction, this lecture reviews how different methods of cannabis use may affect the respiratory and phonatory systems. It also opens space to think critically about how we talk to students and colleagues about cannabis use, especially when it intersects with pain management, anxiety, other medical needs, and simple recreational use.
Participants will leave with a stronger understanding of the vocal health considerations related to cannabis, a realistic picture of the evidence base to date, and a curated reading list meant to address clients’ questions with empathy, clarity, and fact. The material is especially relevant for teachers, clinicians, and singers who want to make informed, responsible decisions in a changing legal and cultural landscape.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr Dann Mitton
Independent voice teacher and researcher Dann Mitton earned his Doctor of Musical Arts in Performance (Voice) degree with a specialization in voice pedagogy...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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The female musical theatre belt sound originated on the Broadway stage in 1930, mostly associated with Ethel Merman and her vocal performance of the song “I Got Rhythm,” in the Gershwin musical, Girl Crazy. In the almost 100 years since the origin of the female musical theatre belt voice, the sound has become almost synonymous with Broadway itself. Join Dr Christianne Roll as she discusses the up-to-date strategies and techniques to create this exciting vocal production for each specific singer.
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