Towards a Jazz Pedagogy: Lessons from Legends and Educators!
Tuesday 29th July 2025, 5:00 PM - 7:00 PM (London Time)
This two-hour virtual workshop explores the foundational tenets of jazz pedagogy as both a conceptual and practical framework for teaching. Drawing from my research in “Towards a Jazz Pedagogy: Learning with and from Jazz Greats and Great Educators,” we’ll investigate how jazz (its historical and cultural legacy, structure, improvisation, and relationality) can be mobilized to inform dynamic, liberatory educational practice.
Through an interdisciplinary lens that bridges Black studies, music, and critical pedagogy, this session examines what educators might learn from the likes of John Coltrane, Miles Davis, and Betty Carter, as both musicians and expert teachers. Participants will engage with activities that illuminate how jazz insists on listening, freedom, and collaboration, qualities often overlooked in contemporary educational spaces.
The session will offer a blend of lecture, short media clips, and reflective prompts to help attendees consider how jazz can reshape our pedagogical methods, classroom culture, and relationships with learners. We will explore key questions like: How can improvisation serve as a model for culturally responsive teaching? What does it mean to practice improv within a curriculum? And what can the jam session teach us about assessment?
This workshop is ideal for educators, voice practitioners, and creative facilitators who are interested in centering Black cultural knowledge, honoring artistic practices as intellectual traditions, and expanding the possibilities of teaching and learning.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr Autumn Griffin
Dr. Autumn A. Griffin is an Assistant Professor of Urban Education at the University of North Carolina at Charlotte and a 2025 Spencer Postdoctoral Fellow. Her scholarship sits at the intersection of Black girlhood studies, critical media literacies, and liberatory pedagogies, with particular attention to how Black cultural traditions offer new visions for education.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 23rd June 2026
5:00 PM - 7:00 PM
(London Time)
Introduction to Vocal Psychotherapy: Songs of the Self
Dr. Diane Austin
This presentation draws on the methods and techniques of Vocal Psychotherapy, a new in-depth model of music psychotherapy developed by Dr. Austin, that incorporates breath work, natural sounds, vocal improvisation, and songs and dialogue within a client and therapist relationship to facilitate intrapsychic and interpersonal change and growth.
Thursday 2nd July 2026
5:00 PM - 7:00 PM
(London Time)
Unclenching the Jaw: Options from the Physio Lens
Walt Fritz
“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.
Monday 6th July 2026
5:00 PM - 7:00 PM
Friday 10th July 2026
5:00 PM - 7:00 PM
Monday 13th July 2026
5:00 PM - 7:00 PM
Friday 17th July 2026
5:00 PM - 7:00 PM
Monday 20th July 2026
7:00 PM - 7:00 PM
Friday 24th July 2026
5:00 PM - 7:00 PM
(London Time)
Certificate in Foundations of Vocology with Adam Roberts
Adam Roberts
This 30-hour Vocology Cohort Intensive provides a comprehensive overview of basic vocal anatomy, physiology, and theories of voice production & perception, fundamentals of vocal health, pathology, evaluation, performance, and habilitation of the speaking and singing voice, and a survey of research, resources, and professional opportunities. Each week, advanced students contribute to cohort-centred learning with additional resources, discussion facilitation, and critical analysis. The course assessment will also be useful for those who wish to prepare for the PAVA recognised designation.