‘U Can’t Touch This’: Consensual Touch in Teaching Singing
Thursday 6th March 2025, 5:00 PM - 7:00 PM (London Time)
As we continue to navigate the expectations of the use of touch in today’s social climate, the conversations of how we ethically integrate this into our pedagogical approach of teaching voice are alive and important areas of consideration.
Practitioners are required through educational institutions to respect personal space and uphold principles of content around physical touch, often at odds with historical and cultural practices in teaching singing education. This workshop aims to create a space to explore a harm-reductive toolkit that allows singers to benefit from the use of consensual touch in singing lessons without their bodily autonomy being compromised.
As practitioners, we are increasingly aware of how physical contact can positively influence a singer’s teaching and learning experience. From anatomical accuracy to the efficiency of assessment from one unique voice to another, the results can be transformative.
Key areas of investigation include:
- Impact of touch or physical contact in teaching Vocals at Further & Higher Education as well as private practice.
- Boundaries around tutor/student physical contact in the teaching and learning of singing.
- Considerations of how consent interacts with these findings.
This workshop considers how consent practices can be integrated into learning spaces, what that means for voice teachers and how it can empower both the artistic and individual voice in the craft of singing and communication.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Lucinda Allen
Lucinda has more than 15 years of experience as a voice, singing, and MDH breathing coordination coach. Her private coaching practice, Voice Unlocked, serves clients including performers from West End shows as well as touring artists such as Grammy award winner Lalah Hathaway and UK artists Kelli-Leigh, Newton Faulkner, JP Cooper, and Skin (Skunk Anansie).
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 12th January 2026
12:00 PM - 1:30 PM
Tuesday 13th January 2026
12:00 PM - 1:30 PM
Wednesday 14th January 2026
12:00 PM - 1:30 PM
Thursday 15th January 2026
12:00 PM - 1:30 PM
Tuesday 20th January 2026
12:00 PM - 1:30 PM
Wednesday 21st January 2026
12:00 PM - 1:30 PM
(London Time)
Level One Certificate in Accents and Phonetics
Louisa Morgan
Are you a voice, acting, or singing coach looking to expand your expertise and add accents and phonetics to your teaching repertoire? This 6-session course covers essential topics such as articulatory, acoustic, and auditory phonetics, the International Phonetic Alphabet (IPA), and ethical approaches to accent and dialect coaching. By the end of this course, you'll be equipped with the knowledge and practical skills to start to bring phonetics and accent coaching into your coaching and provide more comprehensive support to your clients.
Monday 12th January 2026
2:00 PM - 4:00 PM
(London Time)
Emerging and Developing Voice: Singing and Speech
Karen Brunssen
How does the singing voice influence the speaking voice? How does the speaking voice influence the singing voice? When is there a disparate relationship between the two? Can they help each other? Can one harm the other? How can we use them positively in the voice studio. During this short course we will consider the voice as we sing and as we speak. The acquisition of language is a very interesting journey from birth through old age. We will broach the topics of “lexical” which refers to learning words, and “semantic” which is how we use words in the context of language.
Monday 12th January 2026
5:00 PM - 7:00 PM
(London Time)
Perfectionism: A Theoretical & Clinical Overview
Dr David Juncos
What exactly is meant when we label ourselves or someone we know a perfectionist? It is a good to be this way? Or are you setting yourself up for failure? Can a performance psychologist or a other performance-related practitioner help you if you’re a perfectionist? In this short course, you will learn how perfectionism is defined according to popular models in clinical psychology, and whether it is maladaptive or adaptive. You will also learn how perfectionism impacts on music performance anxiety, in addition to other areas of importance for performing musicians, like work-related stress and burnout, and procrastination with one’s practice.