Universal Design for Voice Teaching (UDVT)
Tuesday 18th June 2024, 5:00 PM - 7:00 PM (London Time)
The Singer Cues!
Universal Design for Voice Teaching (UDVT) is a singer-led, diversity-affirming, accessibility and support-needs based pedagogical framework.
It is a structure designed to help voice educators intentionally facilitate inclusive learning spaces for singers of all abilities.
Questions to consider:
- “What is your perception of disability?”
- “What do you understand about neurodivergence?
- “Are you currently upholding pedagogical biases?”
- “Can you adjust the ways you engage with different learners?”
- “Are you aware?”
- “Are you supported?”
- “Are you equipped?”
UDVT fosters awareness, support, and readiness for educators working with singers of all abilities. It is an expansion of the Universal Design for Learning (UDL) guidelines, developed by the Center for Applied Special Technology (CAST) where their aim is to transform educational design “until learning has no limits.”
This course will introduce UDVT basics as we discuss its scope and structure. We will unpack three major networks active and necessary in the learning process:
- Engagement (a singer’s “why”)
- Representation (a singer’s “what”)
- Action and Expression (a singer’s “how”)
Engagement - umbrellas the “why” of learning to internalize each singer’s purpose and motivation.
Representation - umbrellas the “what” of learning to promote each singer’s resourcefulness and knowledge.
Action and Expression - umbrellas the “how” of learning to support each singer’s strategy and goal-direction.
You’ll finish this course with a clear understanding of the UDL guidelines, intersecting models of disability, singer support-needs, The Singer Cues, as well as clear actions to create more inclusive and accessible voice practices and spaces.
UDVT invites singers with all ways of being to access technical and artistic success within the voice studio and beyond!
Let’s make it UDVT!
Adam J Moxness
Adam is an Instructor of Theatre and Music Theatre Voice in the Conservatory for the Performing Arts at Viterbo University.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 23rd June 2026
5:00 PM - 7:00 PM
(London Time)
Introduction to Vocal Psychotherapy: Songs of the Self
Dr. Diane Austin
This presentation draws on the methods and techniques of Vocal Psychotherapy, a new in-depth model of music psychotherapy developed by Dr. Austin, that incorporates breath work, natural sounds, vocal improvisation, and songs and dialogue within a client and therapist relationship to facilitate intrapsychic and interpersonal change and growth.
Thursday 2nd July 2026
5:00 PM - 7:00 PM
(London Time)
Unclenching the Jaw: Options from the Physio Lens
Walt Fritz
“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.
Monday 6th July 2026
5:00 PM - 7:00 PM
Friday 10th July 2026
5:00 PM - 7:00 PM
Monday 13th July 2026
5:00 PM - 7:00 PM
Friday 17th July 2026
5:00 PM - 7:00 PM
Monday 20th July 2026
7:00 PM - 7:00 PM
Friday 24th July 2026
5:00 PM - 7:00 PM
(London Time)
Certificate in Foundations of Vocology with Adam Roberts
Adam Roberts
This 30-hour Vocology Cohort Intensive provides a comprehensive overview of basic vocal anatomy, physiology, and theories of voice production & perception, fundamentals of vocal health, pathology, evaluation, performance, and habilitation of the speaking and singing voice, and a survey of research, resources, and professional opportunities. Each week, advanced students contribute to cohort-centred learning with additional resources, discussion facilitation, and critical analysis. The course assessment will also be useful for those who wish to prepare for the PAVA recognised designation.