Short Courses & Events / Archive

YogaVoice®: Yoga and Systematic Vocal Technique as 21st Century Vocal Pedagogy

Tuesday 12th December 2023, 5:00 PM - 7:00 PM (London Time)

YogaVoice® is a unique 21st century synthesis of the eight-limbs of Classical Yoga technology and Systematic Vocal Technique (SVT). The application of these principles to the lives and work of both professional and amateur singers can facilitate self-awareness and artistic empowerment.

YogaVoice® begins with the assumption, based in Yoga technology, that all people possess innate balance and wholeness. Our voices, as sonic representations of ourselves, also possess balance and wholeness. Yet learned patterns of behaviour and response to external stimuli cause impediments to our bodies and minds and, by extension, to our vocal freedom and wellness.

This workshop will begin with a brief discussion of Yogic principles that promote mindfulness and self-awareness, as they relate to physical, emotional, and mental wellness. Following will be an overview of bel canto vocal methodology as described through the lens of SVT (taught by Richard Miller in The Structure of Singing, Schirmer, 1986.) These two time-honoured disciplines are then drawn together to form a unique 21st century approach to voice training and usage. The Chakra system will be referenced as a foundation for understanding the elements of SVT in the context of a singer’s BodyMind. Course participants will gain a new perspective of the human voice as an innate instrument that can express a person’s deepest artistic intentions and, at the same time, serve as a built-in tool for wellness.

Course participants will have the opportunity to explore the practical application of the lecture content through a YogaVoice® sequence of user-friendly yoga breathing exercises, physical postures, and vocal toning practices. They will walk away with new techniques for applying YogaVoice® in their own practices. If time permits, an optional singing demonstration may also be included.

This course is recommended for anyone interested in the body/mind connection and how it relates to the performing arts (singers, conductors, pianists, pedagogues).

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Mark Moliterno

Mark Moliterno MM, E-RYT500, C-IAYT, YACEP (he/him) is an award-winning professional opera singer, voice teacher, yoga teacher/educator, IAYT-certified Yoga Therapist, workshop leader, and author.

Kristin Roney

Kristin Roney MM, CYT200, CYVT, REIKI III (she/her) is a professional mezzo-soprano, voice teacher, and certified yoga teacher based in New Jersey.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.

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In this course, we will take an introductory look at what prosody is and consider its functions in natural everyday dialogue. Prosody refers to the rhythm, stress, and intonation of speech. It's the musicality of language that helps convey meaning, emotion, and emphasis in conversation!

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Feldenkrais Method® - its application in speech and song!

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The Feldenkrais Method® is a form of somatic education that uses gentle movement and directed attention to improve physical and mental functioning, including singing and speaking. Since we are not always aware of the source of tension or discoordination, it is difficult to make the necessary adjustments to ensure optimal use of the voice!