Short Courses & Events / Archive

Mastering the Art of "Marking": Vocal Longevity for the Modern Singer

Wednesday 25th March 2026, 5:00 PM - 7:00 PM (London Time)

This short course explores marking technique in singing—a vocal conservation strategy used by singers during rehearsals and extended performance periods. Marking involves singing at reduced vocal intensity, altered pitch, or modified vocal quality to preserve vocal health while maintaining musical and dramatic engagement.

 

The course begins with the historical context of marking, tracing its evolution from informal practice among opera singers to its current recognition as an essential vocal health strategy across multiple performance genres. The concept of marking extends beyond singing—in ballet, dancers use marking to perform attenuated versions of choreography during rehearsal, and research has demonstrated that this practice confers cognitive benefits beyond simply conserving physical energy. Additionally, in the military, the term "marking time" similarly refers to marching in place without forward movement—maintaining rhythm and engagement while conserving effort. 

 

Current knowledge about marking in singing is explored through recent survey research investigating marking practices in clinical, studio, and performance settings. This investigation represents one of the first formal examinations of how singers, voice teachers, and voice care professionals understand and implement marking strategies. The course reviews findings on when singers choose to mark, what vocal parameters they modify, and how marking decisions are influenced by rehearsal context, performance demands, and vocal health status.

 

Principles of voice science underlying effective marking are examined, drawing on research comparing operatic, Broadway, and contemporary commercial music styles, we analyze how vocal tract configuration, subglottal pressure, glottal closure patterns, and resonance strategies differ between full voice and marking. Participants learn how these physiological adjustments can be strategically modified to reduce vocal load while maintaining artistic integrity.

 

Practical marking strategies are presented for diverse singing styles, from Western classical to contemporary commercial music. The course addresses style-specific considerations including how to maintain appropriate vocal tract resonance, preserve stylistic authenticity, and communicate musical intentions while marking. Recommendations are provided for determining when marking is appropriate, how to communicate marking intentions to collaborators, and how to transition effectively between marking and full voice.

 

Participants will gain practical tools for implementing marking in their own practice, teaching, or clinical work, supported by current research and voice science principles.

 

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Jacob Wright

Jacob Wright, M.M., M.A., CCC-SLP, is a voice and upper airway–specialized speech-language pathologist at the UAB Voice Center, where he works in close collaboration with laryngologists and interdisciplinary partners to assess and treat complex voice and upper airway disorders. He holds multiple advanced degrees in singing and vocal pedagogy, bringing a deep understanding of vocal function, performance demands, and training methodology to his clinical work.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.

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In this course, we will take an introductory look at what prosody is and consider its functions in natural everyday dialogue. Prosody refers to the rhythm, stress, and intonation of speech. It's the musicality of language that helps convey meaning, emotion, and emphasis in conversation!

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The Feldenkrais Method® is a form of somatic education that uses gentle movement and directed attention to improve physical and mental functioning, including singing and speaking. Since we are not always aware of the source of tension or discoordination, it is difficult to make the necessary adjustments to ensure optimal use of the voice!