Picking Up Good Vibrations: Pedagogical and Clinical Voice Analysis!
Thursday 11th December 2025, 8:00 AM - 10:00 AM (London Time)
Voice teachers and clinicians strongly rely on auditory perceptual modes of voice evaluation. These are considered the gold standard for assessing voice quality and training effects (e.g., a singer’s progress from lesson to lesson or across voice therapy). While this means of voice analysis is crucial, using instrumental (quantitative) metrics to support pedagogical and clinical decision-making can be an invaluable way to ensure that singers are receiving individualised and evidence-based voice training and care.
Instrumental voice analysis is standard within speech science and speech-language therapy practice, but recommendations for singing-voice analysis for assessing training and treatment outcomes are sparse. Although there is a vast array of instrumental voice metrics available, few have been specifically tested to use with the singing voice. In this short course, techniques for instrumentally analysing the singing voice will be explored.
Specific considerations for the challenges of obtaining reliable, robust, and comparable data will be presented, and practical recommendations for recording and analysing the singing voice in pedagogical and clinical contexts will be made.
A particular focus will be placed on practical and accessible methods for voice analysis, and on metrics with clear physiological correlates. Information will be presented with a particular focus on the associations between physiology (vocal function), vocal health, and acoustic metrics.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr Calvin Baker
Dr Calvin Peter Baker is a Research Fellow and Lecturer at the University of Auckland, working between Speech Science (School of Psychology) and the School of Music (Voice discipline). He completed a Bachelor of Music in classical voice performance and has first-class honours and master's degrees in the specialisation of studio pedagogy. Calvin conducted his interdisciplinary doctoral research (PhD, Speech Science) at the University of Auckland.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 23rd June 2026
5:00 PM - 7:00 PM
(London Time)
Introduction to Vocal Psychotherapy: Songs of the Self
Dr. Diane Austin
This presentation draws on the methods and techniques of Vocal Psychotherapy, a new in-depth model of music psychotherapy developed by Dr. Austin, that incorporates breath work, natural sounds, vocal improvisation, and songs and dialogue within a client and therapist relationship to facilitate intrapsychic and interpersonal change and growth.
Thursday 2nd July 2026
5:00 PM - 7:00 PM
(London Time)
Unclenching the Jaw: Options from the Physio Lens
Walt Fritz
“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.
Monday 6th July 2026
5:00 PM - 7:00 PM
Friday 10th July 2026
5:00 PM - 7:00 PM
Monday 13th July 2026
5:00 PM - 7:00 PM
Friday 17th July 2026
5:00 PM - 7:00 PM
Monday 20th July 2026
7:00 PM - 7:00 PM
Friday 24th July 2026
5:00 PM - 7:00 PM
(London Time)
Certificate in Foundations of Vocology with Adam Roberts
Adam Roberts
This 30-hour Vocology Cohort Intensive provides a comprehensive overview of basic vocal anatomy, physiology, and theories of voice production & perception, fundamentals of vocal health, pathology, evaluation, performance, and habilitation of the speaking and singing voice, and a survey of research, resources, and professional opportunities. Each week, advanced students contribute to cohort-centred learning with additional resources, discussion facilitation, and critical analysis. The course assessment will also be useful for those who wish to prepare for the PAVA recognised designation.