Picking Up Good Vibrations: Pedagogical and Clinical Voice Analysis!
Thursday 11th December 2025, 8:00 AM - 10:00 AM (London Time)
Voice teachers and clinicians strongly rely on auditory perceptual modes of voice evaluation. These are considered the gold standard for assessing voice quality and training effects (e.g., a singer’s progress from lesson to lesson or across voice therapy). While this means of voice analysis is crucial, using instrumental (quantitative) metrics to support pedagogical and clinical decision-making can be an invaluable way to ensure that singers are receiving individualised and evidence-based voice training and care.
Instrumental voice analysis is standard within speech science and speech-language therapy practice, but recommendations for singing-voice analysis for assessing training and treatment outcomes are sparse. Although there is a vast array of instrumental voice metrics available, few have been specifically tested to use with the singing voice. In this short course, techniques for instrumentally analysing the singing voice will be explored.
Specific considerations for the challenges of obtaining reliable, robust, and comparable data will be presented, and practical recommendations for recording and analysing the singing voice in pedagogical and clinical contexts will be made.
A particular focus will be placed on practical and accessible methods for voice analysis, and on metrics with clear physiological correlates. Information will be presented with a particular focus on the associations between physiology (vocal function), vocal health, and acoustic metrics.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr Calvin Baker
Dr Calvin Peter Baker is a Research Fellow and Lecturer at the University of Auckland, working between Speech Science (School of Psychology) and the School of Music (Voice discipline). He completed a Bachelor of Music in classical voice performance and has first-class honours and master's degrees in the specialisation of studio pedagogy. Calvin conducted his interdisciplinary doctoral research (PhD, Speech Science) at the University of Auckland.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)
Music Theory Fundamentals for Voice Pedagogues
Dr David Cane
Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Tuesday 12th May 2026
3:00 PM - 5:00 PM
(London Time)
Prosody in conversation – crucial for effective communication?
Beatrice Szczepek Reed
In this course, we will take an introductory look at what prosody is and consider its functions in natural everyday dialogue. Prosody refers to the rhythm, stress, and intonation of speech. It's the musicality of language that helps convey meaning, emotion, and emphasis in conversation!
Thursday 14th May 2026
2:00 PM - 4:00 PM
(London Time)
Feldenkrais Method® - its application in speech and song!
Marina Gilman
The Feldenkrais Method® is a form of somatic education that uses gentle movement and directed attention to improve physical and mental functioning, including singing and speaking. Since we are not always aware of the source of tension or discoordination, it is difficult to make the necessary adjustments to ensure optimal use of the voice!