Stammering: vocal hindrance or vocal liberator?
Tuesday 11th June 2024, 5:00 PM - 7:00 PM (London Time)
What connects Bachman-Turner Overdrive, Ben’s Brother and The Who? The answer is they’ve all produced songs containing stammered lyrics. Integrating stammering, a communication difference often viewed as something to be fixed through therapy, within musical art may, superficially at least, appear to be an unusual decision but what if we could see beauty in stammering and represent it in art, poetry, song, flags and even font? Come to this workshop to find out how this has been done.
The recent brain research highlighting stammering as a form of neurodivergence is shifting therapy approaches with increasing emphasis on the value of stammered voices. They encourage us to reflect on what matters in conversation and how stammering can add dimension and freedom to vocal performances.
This session will present what stammering is (and isn’t), link the approach-avoidance conflict with performance anxiety and consider what it means to be fluent. The potential physical and emotional struggle contained within the stammering experience is acknowledged alongside opportunities to view stammering through alternative, more supportive lenses, with opportunity to consider what you might do in your practice as a stammering ally.
By the end of this workshop, you’ll understand why King George VI practised speeches with a gramophone playing in the background, where metronomes have been used in therapy and know why speaking with marbles in your mouth is never a good idea!
Carolyn Andrews
Carolyn Andrews is an independent speech and language therapist and senior teaching fellow at the University of Strathclyde. With 25 years’ clinical experience she specialises in adult voice problems and adult stammering, and enjoys walking alongside her clients and students to build their knowledge, practice and voice use.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.