Vocal “Decathletes” – inside the hidden world of Session Singing!
Thursday 3rd July 2025, 5:00 PM - 7:00 PM (London Time)
What is a session singer? Officially it’s a freelance, short-term “singer for hire” brought in to be part of a live or recorded musical project. However, it’s more generally understood to be the “behind-the-scenes” singer who is regularly booked for paid recording work. The type of work (and pay) varies a lot. The following are some examples:
- Advertising jingles & station idents
- Singing on new material that songwriters have written - "demo songs"
- Backing vocals on tracks/albums and new shows, e.g. for cruise lines
- Lead vocal features on songs written by others for release - “feature vocals”
- Vocals for movie soundtracks and TV series
To be employable in this role, singers are best to have a generic rather than distinctive ‘signature’ sound, be stylistically very versatile (vocal “decathletes”), have a reliable, robust vocal technique, a great ear for vocal blending, quick melody learning & harmonising, a solid understanding of music and be able to thrive & deliver under tight time pressure in the challenging, unique performing conditions of the recording studio.
Session singing is a side of the music industry that is largely hidden from the public and isn’t easy to find out much about, even online. So, with 35 years of session singing experience, the presenter will cover around ten different types of session work, provide examples, outline what skill set is required for each one and give some advice on how to get into this sort of work.
As further background, here also are some videos on this topic featuring the presenter:
https://www.youtube.com/watch?v=BtpmH_zJ0WE
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Kim Chandler
Kim Chandler (MMus BMusEd) is a renowned contemporary vocal coach & session singer. She runs a busy private studio in Marbella, Spain, where she coaches an elite clientele of stadium band singers, including BRIT award winners & GRAMMY nominees, artists from a range of genres, professional singers and vocal coaches online.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)
Music Theory Fundamentals for Voice Pedagogues
Dr David Cane
Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Tuesday 12th May 2026
3:00 PM - 5:00 PM
(London Time)
Prosody in conversation – crucial for effective communication?
Beatrice Szczepek Reed
In this course, we will take an introductory look at what prosody is and consider its functions in natural everyday dialogue. Prosody refers to the rhythm, stress, and intonation of speech. It's the musicality of language that helps convey meaning, emotion, and emphasis in conversation!
Thursday 14th May 2026
2:00 PM - 4:00 PM
(London Time)
Feldenkrais Method® - its application in speech and song!
Marina Gilman
The Feldenkrais Method® is a form of somatic education that uses gentle movement and directed attention to improve physical and mental functioning, including singing and speaking. Since we are not always aware of the source of tension or discoordination, it is difficult to make the necessary adjustments to ensure optimal use of the voice!