Designing Exercises for the Classical and Contemporary Singer
Thursday 16th September 2021, 5:00 PM - 7:00 PM (London Time)
We are excited to present this highly informative, interactive workshop with John Nix on Designing Exercises for the Classical and Contemporary Singer. John will examine the following:
How do vocal exercises work? What are the variables?
- Direction
- Pattern
- Length
- Vowels
- Consonants
- SOVTs
- Registers
- Temp/note values
- Repetition
- Dynamic level
Other factors to consider when designing your own vocal exercises
- Muscle activtation
- Tissue fatigue
- Motor learning aspects
- Psychological factors
- Musical factors
Looking at key examples involving
- Plosive and close vowels – descending scales for light production
- Exercises ideal for cross-training
- Exercises for male classical versus male belt
- Contrasting Classical and CCM exercises
- Vocal agility
- Messa di voce
Case scenario – exercise design
Professor John Nix
John Nix is Professor of Voice and Voice Pedagogy and chair of the voice area at the University of Texas at San Antonio. His mentors include Barbara Doscher...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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The female musical theatre belt sound originated on the Broadway stage in 1930, mostly associated with Ethel Merman and her vocal performance of the song “I Got Rhythm,” in the Gershwin musical, Girl Crazy. In the almost 100 years since the origin of the female musical theatre belt voice, the sound has become almost synonymous with Broadway itself. Join Dr Christianne Roll as she discusses the up-to-date strategies and techniques to create this exciting vocal production for each specific singer.
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Nasal resonance, achieved by lowering the soft palate and allowing sound energy to resonate through the nasal passages, has recently gained attention for its potential benefits to singers. Join Dr Melissa Treinkman, as she explores the science and practical application of nasal resonance, taking participants through a step-by-step process of identification and utilization of nasal resonance in singing and speech!