Jazz Pedagogy - An overview of the main elements of teaching jazz voice
Tuesday 28th January 2025, 5:00 PM - 7:00 PM (London Time)
In this short course, jazz vocalist Claire Martin OBE will talk about, and demonstrate, how to approach the main elements needed to teach jazz voice. The themes covered will be; vocal tone, time feel and understanding the fundamental basics of jazz harmony. Claire will discuss how to approach repertoire with a ‘jazz singer’s ear’ and how to put an individual stamp on songs from the Great American Songbook and beyond.
The course will also look at vocal range and where to place the voice when approaching this genre. Discussion around the idea of ‘speech quality’ singing will be encouraged. Phrasing is an essential part of singing jazz and Claire will demonstrate ideas around late phrasing, phrasing across the bar line, adding vocal licks and embellishments and touching on the idea of adding scat singing into the mix!
Claire Martin OBE
Claire Martin OBE has established herself as a tour de force on the UK jazz scene, gaining many awards including winning the British Jazz Awards eight times during her career which spans over three decades. In 2018, she was the proud recipient of the BASCA Gold Badge Award for her contribution to jazz.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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The female musical theatre belt sound originated on the Broadway stage in 1930, mostly associated with Ethel Merman and her vocal performance of the song “I Got Rhythm,” in the Gershwin musical, Girl Crazy. In the almost 100 years since the origin of the female musical theatre belt voice, the sound has become almost synonymous with Broadway itself. Join Dr Christianne Roll as she discusses the up-to-date strategies and techniques to create this exciting vocal production for each specific singer.
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Nasal resonance, achieved by lowering the soft palate and allowing sound energy to resonate through the nasal passages, has recently gained attention for its potential benefits to singers. Join Dr Melissa Treinkman, as she explores the science and practical application of nasal resonance, taking participants through a step-by-step process of identification and utilization of nasal resonance in singing and speech!