Let´s Scream: Vocal Distortions Introduction
Thursday 18th July 2024, 5:00 PM - 7:00 PM (London Time)
Objectives:
The objective of this workshop is to know how to train and recognize different types of vocal distortions through sensory motor learning and by using different tools (Vocal Register, Vocal qualities, etc) from “Traditional Singing”
Content:
- Introduction: A quick introduction to the 3 fundamental types of vocal distortions (Glottal Distortion, Supraglottal Distortions and 2+ Sources) and their characteristics, with an auditive test (Interactive Experience)
- One on One Training: The participants will have the chance to work one on one with me on the different vocal distortions presented above. (Interactive Experience)
- Vocal mappings: A system for vocal mapping will be proposed using extreme metal songs as bases (Interactive Experience).
Nicolás Hormazábal
Nicolás Hormazábal is a teacher of Vocal Distortions and Extreme Vocals with an emphasis on Rock and Metal styles. A pioneer in teaching vocal distortions in Chile, he has trained many singers of the South American metal scene.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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1:00 PM - 2:00 PM
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This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
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1:00 PM - 2:30 PM
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1:00 PM - 2:30 PM
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Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.