Short Courses & Events / Archive

Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review

Tuesday 17th February 2026, 10:00 AM - 12:00 PM (London Time)

Course Overview

This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.


Evidence to be Examined

Participants will engage with research addressing:

  • Physical Fitness Requirements
    Comparative studies on the cardiovascular and endurance demands placed on musical theatre performers versus other dance genres.
  • Cardiorespiratory and Recovery Factors
    Investigations into how simultaneous singing and dancing affect breathing, blood lactate levels, and recovery, with implications for choreography and training.
  • Vocal Health and Technical Challenges
    Evidence concerning vocal loading, fatigue, and pathology in musical theatre, including the impact of rehearsal and performance schedules.
  • Interplay Between Singing and Dancing
    Research exploring how dancing influences vocal technique, breath management, and maximum phonation time.
  • Training Models and Industry Practice
    Studies and expert commentary on the need for integrated training approaches, safeguarding, and standardised protocols for performer health.

Who Should Attend?

This course is designed for musical theatre performers, voice teachers, choreographers, directors, performing arts educators, and others interested in the scientific and practical aspects of triple-threat performance.


Learning Outcomes

By examining the available evidence, participants will:

  • Develop a nuanced understanding of the physiological and vocal implications of simultaneous singing and dancing.
  • Critically assess current research gaps and recommendations for best practice.
  • Consider practical strategies for optimising performance and safeguarding health.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Debbie Winter

Debbie Winter (LLB Hons, MA) lectured in Law and sang professionally on the jazz scene before deciding to change careers and become a vocal coach. She noticed a...

Dr Claire Thomas

Claire is a singer, singing teacher and voice researcher. She currently lectures in singing on the Musical Theatre programmes at The Royal Conservatoire of Scotland and runs a private singing studio just outside Edinburgh.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)

Learn to Coach RP and SSBE – a Certificate in Accent Coaching

Louisa Morgan

This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.

Mastering the Art of "Marking": Vocal Longevity for the Modern Singer
Wednesday 25th March 2026
5:00 PM - 7:00 PM
(London Time)

Mastering the Art of "Marking": Vocal Longevity for the Modern Singer

Jacob Wright

Don’t just save your voice—optimize it! Join Jacob Wright as he explores marking technique in singing, a vocal conservation strategy used by singers during rehearsals and extended performance periods. Marking involves singing at reduced vocal intensity, altered pitch, or modified vocal quality to preserve vocal health while maintaining musical and dramatic engagement. Participants will gain practical tools for implementing marking in their own practice, teaching, or clinical work, supported by current research and voice science principles!

Muscle Tension Dysphonia in the Singing Voice!
Friday 27th March 2026
1:00 PM - 3:00 PM
(London Time)

Muscle Tension Dysphonia in the Singing Voice!

Dr Claire Thomas

A specialist course for singing teachers and voice professionals! Designed specifically for those working with singers, this in-depth course with Dr Claire Thomas explores Muscle Tension Dysphonia (MTD) through the lens of the singing voice - bridging clinical research and studio practice.