Short Courses & Events / Archive

Breathing Is Meaning – Fitzmaurice Voicework® and Speaking Voice Clients

Wednesday 21st January 2026, 2:00 PM - 4:00 PM (London Time)

Fitzmaurice Voicework is a global leader in voice training for performance, with certified teachers of the work around the world. In her seminal article “Breathing Is Meaning,” Catherine Fitzmaurice charts her development of the approach for actors to address vocal flexibility, strength, authenticity, and ease. The work has since been studied or applied in other areas including public presentation, developing creative work, reducing performance anxiety, speech training, and cognitive function.

The course invites participants to engage in introductory Fitzmaurice Voicework practices and exercises.

The four core elements of Fitzmaurice Voicework—Destructuring, Restructuring, Presence, and Play—provide opportunities to explore the interplay of breathing, body awareness, and voice through movement and somatosensory exercises designed to both release excess muscular tensions and strengthen spoken communication.

Destructuring connects breath with somatosensory awareness and physical effort in a spontaneous, moment to moment way. Destructuring implements modified yoga and other dynamic positions that change how and where the body moves to breathe. Intentionally produced “tremors” or shaking in the extremities (arms and legs) are also introduced to explore breath and somatosensory responses. Depending on individual choice, the practice of Destructuring can range from gentle to vigorous. It creates opportunities to explore spontaneity by allowing the breath to follow the changing demands of various positions and movements, among other potential benefits.

Restructuring proceeds from the “free breathing” practice of Destructuring into patterning the breath through impulse, movement, and muscular use (breath support/management) to vocalize in ways that balance ease, energy, and focus. Restructuring supports a wide range of voice, speech, textual, and professional presentation demands. Restructuring also aims to unite speaker, listener, and environment in an ongoing communication loop.

The somatosensory aspects of De- and Restructuring practices contribute to a sense of Presence that centers and grounds the speaker. Practicing FV also benefits both student/client and instructor, opening the way for more effective, empathetic communication. Play encourages adapting elements of the approach to suit individual, practical, and artistic choices, while serving as an effective teaching modality.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Lynn Watson

Lynn Watson (she/her) is a voice, speech, and dialect specialist and has coached Oscar, Tony, and Emmy winning actors. She is a Lifetime Distinguished Member of the Voice and Speech Trainers Association (VASTA) and Director of Research Studies at the Fitzmaurice Voice Institute.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Musical Theatre Vocal Pedagogy Certificate
Tuesday 18th August 2026
3:00 PM - 5:00 PM
Tuesday 25th August 2026
3:00 PM - 5:00 PM
Tuesday 1st September 2026
3:00 PM - 5:00 PM
Tuesday 8th September 2026
3:00 PM - 5:00 PM
Tuesday 15th September 2026
3:00 PM - 5:00 PM
Tuesday 22nd September 2026
3:00 PM - 5:00 PM
(London Time)

Musical Theatre Vocal Pedagogy Certificate

Kevin Wilson

Join Kevin Wilson for this six-part certificated course, offering an in‑depth, practical exploration of contemporary voice teaching for musical theatre. Across six focused classes, participants develop a systematic approach to vocal technique, diagnosis, and repertoire selection that reflects the stylistic, physical, and emotional demands of the genre. The curriculum integrates vocal science, embodied voice work, registration theory, and stylistic awareness across the five major sub‑genres of musical theatre.

Doubles and Stacks, Reverbs and Effects: Teaching Vocal Production Skills
Tuesday 22nd September 2026
5:00 PM - 7:00 PM
(London Time)

Doubles and Stacks, Reverbs and Effects: Teaching Vocal Production Skills

Kelly Hoppenjans

Vocal production, or the process of recording a voice, is a multifaceted practice requiring a diverse set of skills. It has traditionally been considered the role of the producer in a recording studio, and vocalists can often feel intimidated by learning complex technical skills or prohibited by the cost of recording equipment. This course is aimed at voice coaches and vocalists who want to learn to record and shape their vocal tracks, as well as how to teach these skills to voice students. No matter your technical experience or setup, you can record great-sounding vocals!

Certificate in Executive Voice Coaching and Communication
Monday 28th September 2026
1:00 PM - 2:30 PM
Tuesday 29th September 2026
1:00 PM - 2:30 PM
Wednesday 30th September 2026
1:00 PM - 2:30 PM
Thursday 1st October 2026
1:00 PM - 2:30 PM
Friday 2nd October 2026
1:00 PM - 2:30 PM
(London Time)

Certificate in Executive Voice Coaching and Communication

Louisa Morgan

This five-day course is designed for professional coaches who want to extend their practice into executive coaching, leadership communication, and professional corporate voice work.