“Too Much, Too Little, Just Right!” - The Balancing Act Model
Tuesday 28th July 2026, 5:00 PM - 7:00 PM (London Time)
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. The extremes are identified as hyper (too much) and hypo (too little) while the vast middle ground is identified as balanced (just right). The Model can be used systematically to encompass the entire act of singing, or randomly to isolate a particular aspect of singing.
Take posture, for example. If you over-elevate your sternum and ribcage, pull back your shoulders as far as you can, and pull in your chin, you’ll be in hyper posture. Great for military discipline but not so great if you want to look confident and in control. Hypo posture, by contrast, requires you to collapse your ribcage, roll your shoulders forward, and jut out your head like a turtle. Your best postural stance is somewhere in between these two extremes, balanced and just right for you.
This short course will be hands on (and voices on). Together, we will cover many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers. Bring your adventurous self to the session!
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Robert Edwin
Robert Edwin has been a professional singer/actor since 1965, a recording artist since 1966, an ASCAP songwriter since 1967, a published author since 1968, and an independent studio singing teacher and coach since 1975. He has sung Bach cantatas in church cathedrals and rock songs in Greenwich Village coffeehouses; recorded for Avant Garde and Fortress Records, and toured extensively throughout the United States and abroad.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 18th August 2026
3:00 PM - 5:00 PM
Tuesday 25th August 2026
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Tuesday 1st September 2026
3:00 PM - 5:00 PM
Tuesday 8th September 2026
3:00 PM - 5:00 PM
Tuesday 15th September 2026
3:00 PM - 5:00 PM
Tuesday 22nd September 2026
3:00 PM - 5:00 PM
(London Time)
Musical Theatre Vocal Pedagogy Certificate
Kevin Wilson
Join Kevin Wilson for this six-part certificated course, offering an in‑depth, practical exploration of contemporary voice teaching for musical theatre. Across six focused classes, participants develop a systematic approach to vocal technique, diagnosis, and repertoire selection that reflects the stylistic, physical, and emotional demands of the genre. The curriculum integrates vocal science, embodied voice work, registration theory, and stylistic awareness across the five major sub‑genres of musical theatre.
Thursday 20th August 2026
5:00 PM - 7:00 PM
(London Time)
AI Assisted Voice Training and Business Development
John Henny
Join John Henny as he builds on the foundations of AI for voice educators by focusing on practical applications for running and growing a teaching studio. Designed specifically for voice teachers, the session shows how AI can support studio operations, content creation, research, and business development, with one foundational skill at its core: training AI in your own teaching voice, pedagogy, and communication style.
Wednesday 26th August 2026
5:00 PM - 7:00 PM
(London Time)
The Vocal Tract and Singing: A Research Overview!
Dr Brad Story
Fine control of the vocal tract shape is important for producing acoustic characteristics that may be targeted in singing. Join Dr Brad Story as he focuses on how the vocal tract shape can be tuned (i.e. modified) in both large and subtle ways to enhance the signal radiated from a singer to an audience. The session will include the vocal tract shape contributions to the ‘singing formant’, enhancement of vibrato, and harmonic/formant alignment.